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Sebastian Erard Pianos

Posted September 10th, 2011 by Ric Overton | No Comments »

Sebastian Erard was born in Strasbourg, Germany in 1752.  He showed a lot potential as an mechanical architect.  When he was 16 his father passed away and he was moved to Paris.  He got a job with a harpsichord maker.  After some time his speed, accuracy and excitement got him fired by his jealous supervisor.  However, by this time a lot of musicians and music instrument makers had come to not only know him but, respect his work.

Erard

Erard

 

By the time he was 25 he had started building pianos in a small workshop in a hotel owned by a duchess.  He built his first Pianoforte in 1777 in his Paris“factory”.  15 years later he move to Great Marlborough Street in London where he stayed for almost 20 years.  By this time he had built pianos for Louis XVI and for Marie Antoinette.

Erard Pianoforte

Erard Pianoforte

 

In 1796 he returned  to Paris and started immediately making grand Pianofortes with some noticed improvements. He returned   a couple of years and returned back to Paris where with his new creation of the double-movement harp.  Until his death in 1831 at the age of 79 he made Pianofortes and Harps.

Erard Pianos has been long associated as one of the finest pianos in the world.  Erards were greatly used by Chopin, Liszt, Mendelssohn, Verdi and Sir Paderewski (who travelled with his own personal Erard) were among the list of composers and musicians who appreciated his work.

 

I have only had the priveledge to play on an Erard once.  It was a beautiful restoration that was superbly done.  Although the sound was “different” it was a seriously nice piano that deserves a lot of respect  because of the “updates” and improvements that Mr. Erard would implement and encouraged others to do the same.

 

Until then

 

Ric Overton

 

Posted by Ric Overton of http://PianoSD.com via http://MaxMorganDesign.com

Who was Chickering?

Posted September 5th, 2011 by Ric Overton | No Comments »

Jonas Chickering was born in Mason Village, New Hampshire in April of 1798 to Abner Chickering  who was a farmer and a blacksmith.  He originally worked as an apprentice to a cabinet maker and in 1818 moved to Boston to continue his work. This lasted for about one year until he ran into John Osborn on Orange Street and began working for him as a piano maker. In 1823, Chickering and James Stewart entered a partnership and began making pianos under the name Stewart and Chickering.  They made 15 pianos that first year which sold for around $275.00

Chickering Square Grand Piano

Blog by PianoSD.com

Stewart & Chickering dissolved after four years, and in 1830 Chickering started working  with John Mackay who had a piano store and also made organs and piano.  John had also worked with Alpheus Babcock who was doing business as Chickering and Company at  416 Washington Street.  In 1837 Chickering & Mackays along with Mackay’s son William H. Mackay built a new five story factory.  The factory had a retail store and a  concert hall, at 334 Washington Street.

John Mackay passed away in 1841 so Chickering mortgaged the factory and bought out the remaining shares from Mackay’s family which he paid out over time. On December 1, 1852 the factory burned putting over 200 people out of work and a sustained loss of over $250,000.00.  All of the tools and patters were lost and according to reports say that one of the first overtstrung pianos was lost in the fire too. Chickering then began to rebuild a new “state of the art” steam powered factory according to Mr. Chickering’s specifcations. This new factory was located at  791 Tremont Street.

 

Sadly, Chickering died before the new factory was completed in December of 1853.   His death was important to the city of Boston that there was almost 1000 people at his funeral and the mayor even ordered the city’s churches to ring their bells out of respect.  By 1853, Chickering had manufactured more than 12,000 pianos and was building more than 100 a month with sales of over almost $10,000.00 a month. The might Chickering Piano display at the London International Exhibition of 1851 earned a gold medal.  The also got  special mention for their grand pianos noted for brilliancy and power. Chickering had many patents which included: single piece iron frames,along with wrest plank bridges and damper guides in square pianos, wrest plank terminations in grands as wel as several others. Chickering & Mackays also had control of an action patented created by Alpheus Babcock and they also had control of  licensed actions patents by Edwin Brown and George Howe. Chickering made curved hammer strike lines in square grands which permitted larger hammers.  Chickering is also said to have helped Ichabod Washburn  develop the first piano wire that was made in the United States.

Chickering Concert Grand Piano for Ric Overton blog of PianoSD.com

Chickering Concert Grand Piano for Ric Overton blog of PianoSD.ocm

Among many of his musical accomplishment Chickering, Henry W. Pickering and Edward Frothingborn helped to form the society which was responsible for erecting the Boston Music Hall which was built in 1852.  There were four children: Thomas Chickering, C. Frank Chickering, George H. Chickering, and Anna Chickering. Who all worked as pianomakers and partners in the company forming Chickering and Sons.

Although Chickering was purchased by Gibson several years ago and ceased production, Chickering remains one of my favorite pianos.  Its clarity of sound and very smooth action is incredible.

Thanks for reading and I hope you enjoyed.

Ric Overton of http://PianoSD.com via http://MaxMorganDesign.com

Sauter Pianos

Posted August 27th, 2011 by Ric Overton | No Comments »

I have begun a study of the history of some of our famous piano makers over the centuries.

There have been some absolutely captivating builders.  Among them of course was Sebastien Erard, Jonas Chickering, Theodore Steinway, Johan Ibach, Ignaz Bosendorfer and of course Joseph Brodmann along with one of my favorites; Carl Sauter.

Little is known of some of these guys in the U.S. because the importing of pianos at that time but, Europe has a totally different idea of music, music making and the building of fine instruments than in other parts of the world. But I am very captivated by Mr. Sauter.

Here is the story.  Johann Streicher owned a piano company called Streicher pianos.  Streicher had risen to fame because Ludwig van Beethoven had purchased several instruments from them and the Streicher was his personal favorite, in fact he often requested that  a Streicher piano be provided for his concerts.  The company had attracted  much attention and got the attention of a young man named Johann Grimm.

Some time after Johann had joined Streicher Pianos, Mr. Streicher passed away and left his company to his daughter Nannette, a freind of Beethoven and extremely close to another composer and artist of this era named Wolfgang Amadeus Mozart.  They actually performed together on Streicher pianos on several occasions.

After several years of service to Streicher, Mr. Grimm decided to branch out on his own.  He created what was to become the Sauter Piano Company in 1813.  To date this piano company is the oldest family owned piano manufacturer and the oldest continuous running piano maker in the world.  The company has always been controlled, owned and operated by a Sauter.

Today, Urlich Sauter is in charge and continues to make pianos in his factory in Spaichingen, Germany at the foothills of the infamous Black Forest.  They continue to manufacture pianos with the concept that Johann Grimm used in 1813 but have integrated  modern day technologies. Today the factory is a state-of-the-art factory that is quite impressive and builds approximately 450 pianos a year.  In Europe, Sauter is highly regarded as one of the finest instruments available.  In the U.S. there are only a few dealers that carry the instrument.

Once you have the opportunity to experience the Sauter piano I am sure you will agree that this instrument is one that quietly grabs your attention and seems to say “is that all you got, come on get with it”.

More on some of the other famous manufacturers coming soon

Until then-

Ric Overton

posted by Ric Overton of http://PianoSD.com via  http://MaxMorganDesign.com

Passion for Pianos

Posted August 10th, 2011 by Ric Overton | No Comments »

I have been ready a really good book about passion.  NO! Not the sexual kind.  Passion is the thing that invades your mind all of the time.  The thing that you think of at odd times.  The thing that draws your mind away when you think of something funny or sad.  Passion.  Its the thing that drives people to do what they do.

Pianos are truly my passion.  I know most people never think of it.  When I look at pianos I think about all of the hands that worked on 15,000 parts to put it all together.  I see the trees in the forest being cut down and then crafted into the wooden parts that are used in the piano.  The sheep that were sheared to get the wools.  The hands that were used to make the strings, not to mention the assembly.

European pianos, Asian pianos or American pianos.  Its the same all around.  So much handcraftsmenship that went into each and every single piano that is constructed regardless of the point of origin.

Since I have moved to Nipomo, Ca, just south of San Luis Obispo and north of Santa Maria.  When Bob opened his satelite store in Nipomo and I moved here, I have learned to slow down a little (at least in some ways) I have started enjoying life a little more.  This crazy passion for pianos seems to multiply.

Pianos are a world wide statement.  They are one of the most widely accepted musical instruments and I am truly proud when someone asks me what I do to say, I’m in the piano business.  I really want to see the piano to make a ressurgence in the market place.  Its very tough in the present economic situations and many people are deciding to work outside of our industry.  Yet, when you sit down at a piano and start to play people smile.

I love our teachers, technicians, tuners, movers as well as artists, dealers,etc.  I do wish you the very best.  Hope to see you soon.

Ric

posted by Ric Overton via http://maxmorgandesign.com

Maxwell Steer

Posted July 10th, 2011 by Ric Overton | No Comments »

Some of you may remember Maxwell Steer who visited us at PianoSD last year for a teacher workshop and played for us and spoke to us about teaching in the U.K.

I have kept in contact with Maxwell and was delighted to find out that he had put on YouTube a performance with Richard Black.  I felt you would be thrilled to hear this wonderful performance and decided to post this for you to see.

I hope you enjoy it as much as I have

Our friend Maxwell Steer

I will be reporting more information about Maxwell and s

George Gershwin still alive and coming to San Diego?

Posted June 30th, 2011 by Ric Overton | No Comments »

One of the bad things about writing the multiple blogs and press releases, etc. is that I don’t ALWAYS get a chance to completely digest the multiple requests that I get to review a new project or program that is presented to me whether I get it in email or “snail” mail or whatever the case is.

Recently, I was asked to take a look at a play that was coming to San Diego and perhaps do my part to promote it if possible.  I made my normal post on Social Medias,etc. but, did not take it any farther until this morning when I had a follow up email about this performance that will take place in San Diego in July.

I stopped what I was doing and took the time to do a little “on-line” research and was pleasantly surprised NO- actually blown away at what I found.

First I visited the website here:

http://www.gershwinalone.com/home/Home02.html

I couldnt believe my ears.  Its like he has returned to life.  Then I went to You Tube (of course)

Look whos coming to San Diego

And now I see what all of the hubub was about.  Mr. Felders ability to draw you into the event, make you a part of it and then allow you to see George through his eyes is an incredible feat.  I have read all of the review now and his wikipedia information.

This program is a must see.  And here’s how.  The Old Globe was kind enough to offer the following to the people that I was able to attract for them.  I hope you will take advantage of it.  It is sure to be an unforgettable evening.

We would like to offer *20% off of Area A seating. Tickets begin at just $39! Visit www.TheOldGlobe.org and select Hershey Felder as George Gershwin Alone.

Choose from performances July 1st through July 3rd and enter Promo Code: PianoSD or you can call the Box Office at (619) 234-5623.

Ric

posted by Ric Overton of http://PianoSD.com  via http://MaxMorganDesign.com

Hershey Felder as George Gershwin Alone

Old Globe Theatre

Conrad Prebys Theatre Center

Music by George Gershwin
and Ira Gershwin
Written by Hershey Felder
Directed by Joel Zwick

We are thrilled to bring back the show that introduced San Diego audiences to one of the most unique and entertaining performers to ever grace the Old Globe stage.  Hershey Felder as George Gershwin Alone played to sold out houses and standing ovations during its previous appearances at The Old Globe.  Now, to celebrate Hershey’s return with his newest triumph,  George Gershwin Alone will be performed for a 13-performance limited engagement.  The show incorporates Gershwin’s best-known songs, from “The Man I Love” and “Someone to Watch Over Me,” through passages and songs from An American in Paris and Porgy and Bess, to a complete performance of “Rhapsody in Blue.”

*Discounts apply to Area A seating only.

I posted three videos

Posted June 24th, 2011 by Ric Overton | No Comments »

I posted three videos tonight that were really nice and thought I would share them with you.

The first one is about Estonia Pianos

watch?v=by62LOZh2B8

This is from Seth who has a cool video also his website is www.SethRye.com

http://www.youtube.com/watch?v=V91wxDTRmAM

And of course the famous Rosemary Bailey at www.RosemaryBaileyMusic.com

http://www.youtube.com/watch?v=DKKgHKfNnyY

Thanks for being patient with the website as we start the major MAJOR changes.

Ric Overton

http://PianoSD.com via http://MaxMorganDesign.com

Piano Teachers

Posted June 1st, 2011 by Ric Overton | No Comments »

Of all of the things in the piano industry, I love piano teachers.  I know, I know, I love the manufacturers, piano builders, tuners, technicians, artists, etc.  but, teachers are the key to our industry.

Heres some facts.  Piano teachers generally speaking have the love and compassion needed to take kids into the next level.  They have to deal with young men and young women as they come into and out of the most important parts of thier lives on a much more personal basis than the average teacher.

As a child is going through the loss of a loved one, divorce of their parents, not to mention puberty and growing into young men and young women.  Then theres school, school functions girlfriends, boyfriends, best freinds, soccer, football, cheerleaders and such.  All the while they are doing their very best to work with the children through the situations.

Piano teachers are teaching our kids to play the piano but also are adding to thier imaginations.  Most people dont realize that learning to play a musical instrument helps kids increase their ability to learn.

I have had a lot of pleasure teaching adults.  Like teachers that teach kids I have listened to stories about everything from marriage problems to kid problems and financial problems and every possible topic in between and loved every minute of it.

Teaching adults to play has been very rewarding because they are learning to do something they have wanted to do all of their lives and never had a chance.  Take for example one student that I had who was in his early 70’s and had never played before.  When he played the first  bars of When the
Saints Go Marchin In, you would have thought he had just won a lottery.  Yet, he had it in him all along and simply needed an avenue and permission to get it out.

At the Piano Outlet in Nipomo, Ca.  I have begun classes that are for adults and another teacher is teaching the children.  If you are interested in joining one of our classes or are interested in learning on line, please contact me and I will get you into one of our classes.

Hope to see you soon.

Ric

posted by Ric Overton of www.PianoSD.com  via www.MaxMorganDesign.com

Tone

Posted May 25th, 2011 by Ric Overton | No Comments »

I have been discussing tone in pianos.  This is a carry over from that same subject with a couple of explanations.

Often we link tone to bright or mellow, full bodied to metalic and thin.  This is simply a reference to the complexity of the tone you hear when someone is playing a piano.

At some point I am going to explain by illustration and in laymens terms the various parts of the piano and what they have to do with the sound you hear but for the present we are discussing over all tones.

There is a huge difference between the Asian sound and the American sound.  There has always been an argument of whether the piano is a percussion instrument or an orchestral instrument.  By definition the piano is considered a percussion instrument however, this writer feels that it should be considered an exception to the rule and be considered an orchestral instrument and hopefully I will be able to relate that argument to you in this blog.

When you listen to the tone variations between the average Asian piano and the average American piano and then match that against a finer European piano you can hear the obvious and I must say the VERY obvious.

Asian pianos tend to have a very distinct sound that leans toward brighter and thinner in tone.  Very easy to use in concerts, recording and reproductions in various venues.  It is very normal to see an Asian piano in a major recording studio or concert venue because the reproduction of the sound and the miking is somewhat easier than its American counterpart.

When you start thinking of an American tone it tends to lean more to the middle.  It has a nice blend of both a metallic and bright sound but also has a more mellow tone than the average Asian piano.  While there are certain exceptions to this rule I am merely refering to the average piano from each of these areas.

Tone is an interesting quality that varies from instrument to instrument.  A person who plays a great deal can even tell the differences between brand names because of their tone values.

In the next blog I want to round this discussion out by going to Europe and discussing tone values in the pianos

American Pianos

Posted May 23rd, 2011 by Ric Overton | No Comments »

I was devastated to learn about the tornado in Joplin, Mo. this morning.  Very tragic news indeed and our hearts and prayers go out to the fine folks of Missouri this morning.

As promised I wanted to continue my discussion on the difference in pianos.  On the last blog we talked about China and the other Asian pianos.  While I did not go into depth on the post about these pianos I spoke directly to tone characteristics.  I wanted to explain a few thoughts.

Pianos coming from Asia are often somewhat brighter and more dynamic in sound presentation which is fine.  I find it akin to taking the stereo and pulling the bass out and turning the treble all the way up leaving the sound to be somewhat “thin” and not full bodied.  Many piano manufacturers have addressed this problem.  Pearl River for one has hired Lothar Tomar of Bechstein Pianos to redesign thier pianos and what has happened as a result is that the Pearl River pianos of today tend to have a more full bodied tone and more identifiable sound characteristic than before.  Brodmann for another has also accomplished this.  Delivering a brighter tone but with more depth and character than most of its counterparts.

As we move to the United States we have to take a step back and look at the tragic history of piano building and where we are today.  The Pierce Piano Atlas is filled with manufacturers from the U.S. who are no longer in business or are 100% built in China, Indonesia or Japan.  I find this tragic, not from the stand point that the Asian influence is inferior, but, from the aspect that the employees no longer have jobs and their knowledge has left our industry.

We only have three piano manufacturers left in the United States that are recognizable.  The first and most obvious, of course, is Steinway.  While Steinway and Sons continues to be built in New York, as always, they also produce two other piano lines.  Those lines are Boston from Japan and Essex from China.  While they say that they are built to their own specifications, this writer has some doubts to that claim.

Mason and Hamlin is another piano company that is a very celebrated piano among pianist.  Mason and Hamlin has a somewhat more bright and clearer tone than its counterparts and is a fine instrument.  There is some debate as to how much of the piano is actually built in the United States and how much comes from “world sources” they do continue to build very fine pianos right here in the U.S.

Lastly, I have to mention Charles Walter.  This is a very classy act.  although they are not as celbrated or as heralded as its two competitors, it is still a very nice piano.  Somewhat more mellow in tone and never really known for their grand pianos although they do have a couple in their offerings.

As you look at the line up it is very sad to see that in a country as large and as musically influential as the United States we are unable to support more than three piano companies.

I believe its time for a change and that we, as a music community, should put our heads together and find a way to compete internationally with other piano manufacturers.

I will continue this discussion on tone  character in US pianos soon.

Thanks again

Ric

posted by Ric Overton of www.PianoSD.com via www.MaxMorganDesign.com

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