Posts Tagged ‘www.PianoSD.com’

Piano Teachers

Thursday, June 2nd, 2011

Of all of the things in the piano industry, I love piano teachers.  I know, I know, I love the manufacturers, piano builders, tuners, technicians, artists, etc.  but, teachers are the key to our industry.

Heres some facts.  Piano teachers generally speaking have the love and compassion needed to take kids into the next level.  They have to deal with young men and young women as they come into and out of the most important parts of thier lives on a much more personal basis than the average teacher.

As a child is going through the loss of a loved one, divorce of their parents, not to mention puberty and growing into young men and young women.  Then theres school, school functions girlfriends, boyfriends, best freinds, soccer, football, cheerleaders and such.  All the while they are doing their very best to work with the children through the situations.

Piano teachers are teaching our kids to play the piano but also are adding to thier imaginations.  Most people dont realize that learning to play a musical instrument helps kids increase their ability to learn.

I have had a lot of pleasure teaching adults.  Like teachers that teach kids I have listened to stories about everything from marriage problems to kid problems and financial problems and every possible topic in between and loved every minute of it.

Teaching adults to play has been very rewarding because they are learning to do something they have wanted to do all of their lives and never had a chance.  Take for example one student that I had who was in his early 70’s and had never played before.  When he played the first  bars of When the
Saints Go Marchin In, you would have thought he had just won a lottery.  Yet, he had it in him all along and simply needed an avenue and permission to get it out.

At the Piano Outlet in Nipomo, Ca.  I have begun classes that are for adults and another teacher is teaching the children.  If you are interested in joining one of our classes or are interested in learning on line, please contact me and I will get you into one of our classes.

Hope to see you soon.

Ric

posted by Ric Overton of www.PianoSD.com  via www.MaxMorganDesign.com

Tone

Thursday, May 26th, 2011

I have been discussing tone in pianos.  This is a carry over from that same subject with a couple of explanations.

Often we link tone to bright or mellow, full bodied to metalic and thin.  This is simply a reference to the complexity of the tone you hear when someone is playing a piano.

At some point I am going to explain by illustration and in laymens terms the various parts of the piano and what they have to do with the sound you hear but for the present we are discussing over all tones.

There is a huge difference between the Asian sound and the American sound.  There has always been an argument of whether the piano is a percussion instrument or an orchestral instrument.  By definition the piano is considered a percussion instrument however, this writer feels that it should be considered an exception to the rule and be considered an orchestral instrument and hopefully I will be able to relate that argument to you in this blog.

When you listen to the tone variations between the average Asian piano and the average American piano and then match that against a finer European piano you can hear the obvious and I must say the VERY obvious.

Asian pianos tend to have a very distinct sound that leans toward brighter and thinner in tone.  Very easy to use in concerts, recording and reproductions in various venues.  It is very normal to see an Asian piano in a major recording studio or concert venue because the reproduction of the sound and the miking is somewhat easier than its American counterpart.

When you start thinking of an American tone it tends to lean more to the middle.  It has a nice blend of both a metallic and bright sound but also has a more mellow tone than the average Asian piano.  While there are certain exceptions to this rule I am merely refering to the average piano from each of these areas.

Tone is an interesting quality that varies from instrument to instrument.  A person who plays a great deal can even tell the differences between brand names because of their tone values.

In the next blog I want to round this discussion out by going to Europe and discussing tone values in the pianos

American Pianos

Monday, May 23rd, 2011

I was devastated to learn about the tornado in Joplin, Mo. this morning.  Very tragic news indeed and our hearts and prayers go out to the fine folks of Missouri this morning.

As promised I wanted to continue my discussion on the difference in pianos.  On the last blog we talked about China and the other Asian pianos.  While I did not go into depth on the post about these pianos I spoke directly to tone characteristics.  I wanted to explain a few thoughts.

Pianos coming from Asia are often somewhat brighter and more dynamic in sound presentation which is fine.  I find it akin to taking the stereo and pulling the bass out and turning the treble all the way up leaving the sound to be somewhat “thin” and not full bodied.  Many piano manufacturers have addressed this problem.  Pearl River for one has hired Lothar Tomar of Bechstein Pianos to redesign thier pianos and what has happened as a result is that the Pearl River pianos of today tend to have a more full bodied tone and more identifiable sound characteristic than before.  Brodmann for another has also accomplished this.  Delivering a brighter tone but with more depth and character than most of its counterparts.

As we move to the United States we have to take a step back and look at the tragic history of piano building and where we are today.  The Pierce Piano Atlas is filled with manufacturers from the U.S. who are no longer in business or are 100% built in China, Indonesia or Japan.  I find this tragic, not from the stand point that the Asian influence is inferior, but, from the aspect that the employees no longer have jobs and their knowledge has left our industry.

We only have three piano manufacturers left in the United States that are recognizable.  The first and most obvious, of course, is Steinway.  While Steinway and Sons continues to be built in New York, as always, they also produce two other piano lines.  Those lines are Boston from Japan and Essex from China.  While they say that they are built to their own specifications, this writer has some doubts to that claim.

Mason and Hamlin is another piano company that is a very celebrated piano among pianist.  Mason and Hamlin has a somewhat more bright and clearer tone than its counterparts and is a fine instrument.  There is some debate as to how much of the piano is actually built in the United States and how much comes from “world sources” they do continue to build very fine pianos right here in the U.S.

Lastly, I have to mention Charles Walter.  This is a very classy act.  although they are not as celbrated or as heralded as its two competitors, it is still a very nice piano.  Somewhat more mellow in tone and never really known for their grand pianos although they do have a couple in their offerings.

As you look at the line up it is very sad to see that in a country as large and as musically influential as the United States we are unable to support more than three piano companies.

I believe its time for a change and that we, as a music community, should put our heads together and find a way to compete internationally with other piano manufacturers.

I will continue this discussion on tone  character in US pianos soon.

Thanks again

Ric

posted by Ric Overton of www.PianoSD.com via www.MaxMorganDesign.com

What’s the difference in pianos

Saturday, May 21st, 2011

I am probably asked at least once during a sales presentation the difference in pianos and why one may be $2500.00 and the next piano of comparable size is $7500.00.

Pianos now come from at least three main areas of the globe.  #1 by far is the production that is going on in Asia.  Whether Japan, Korea, Indonesia, China or Vietnam (yes, Vietnam) the largest percentage of piano being produced now are from Asia.

Years ago when you spoke of an Asian piano it was with some disdain that you even mentioned it.  While some still don’t like it, the truth is that they are doing a really good job in building pianos.  For some time we have identified Asian pianos with a really bright, almost “tinty” sound.  Today we are seeing many pianos such as Pearl River’s Rittmueller, Perzina, Brodmann and others that are arriving from China in a near perfect tuning, good regulation and a European smooth sound.

It has been an incredible change in production that we have witnessed right before our eyes.  I for one am constantly amazed at the differnce in quality of the piano as well as the quality of sound that is being produced in Asia.

I will continue to discuss the various areas of the world that pianos are currently being produced in and the sound textures and differences that you can/should expect.

Eventually in the transition of PianoSD I will be discussing various pricing and with the help of some others I will start to hopefully explain piano name brands and give my opinions on what you can and should expect with each.

While pianos are my passion, I have a great love for piano teaching and a respect for the piano teachers and hope to promote thier craft.  I am certainly trying to bring music education to Nipomo, Ca.  where I presently manage The Piano Outlet.  You can find us at www.thepianooutletco.com .

I hope you enjoy this blog as much as I enjoy bringing it to you.

Ric

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The future

Wednesday, May 18th, 2011

www.PianoSD.com is undergoing some changes.  You most likely have noticed that I have not had a lot of posts over the past few weeks.  The reason is that Tim and I have moved to the San Luis Obispo area to work for The Piano Outlet under the direction of Bob Auletta.  We arrived in Nipomo, California several weeks ago, remodeled a store here and have opened the doors at the Nipomo, California branch of  The Piano Outlet.  www.ThePianoOutletCo.com

Nipomo is a beautiful town situated north of Santa Maria and south of San Luis Obispo, California in the beautiful wine country of the Central Valley Coast.  There are only about 13,000 residents here and it really has a “hometown” feel.  We are quickly getting settled and life is moving along nicely.

PianoSD in San Diego has a lot of fond memories where we met people that will be our lifetime friends.  I hear from many in the teaching community on a regular basis and truly miss the comraderie of them.  Because of my love for the teaching community we have decided to take www.PianoSD.com and turn it into a site that will direct people to teachers across the country along with tuners, techs, artists and dealers.  While we update the site it may seem to have no direction at times but in the end it will have a complete resource of places for enthusiasts to go and get the help they need for all of thier musical interests.

This has been a very challenging year and if I had been asked a year ago if I would be here today I would have never believed it. However, I believe that we are right where God wants us for the present.

I hope to hear from you in the next few weeks about things you would like to see in a piano website and musical instrument website.  We are open for all of your suggestions.

I will be making some more announcements in the next few days about things that are going on behind the scenes with us that are very exciting.  I love this industry and will attempt to do everything in my power to help build it.

See you soon

Ric Overton

post by Ric Overton of www.PianoSD.com via www.MaxMorganDesign.com

Visit in Germany

Sunday, May 15th, 2011

Russell Kassman, a dear friend of R Kassman Pianos in Berkely, Ca. is in Germany and was nice enough to put in a post on the world famous www.PianoWorld.comabout his trip to Germany.  I was so jealous but, after reminding myself how beautiful Nipomo, Ca. is I decided to be satisfied with my present surroundings and live vicariously through his experiences in Germany.  I contacted him via www.Facebook.com, of course, and asked his permission to re post his report of his trip to the home of pianos.  Here it is-via R Kassman Pianos, Berkely, Ca www.RKassman.com

Repost from www.PianoWorld.com

AN EXPENSIVE DAY IN BAYREUTH!!!
w
I just left Bayreuth and the Steingraeber & Sohne factory and am on my way to the Black Forest to visit the Sauter piano company. I was honored to be the first person outside of factory workers to play/test the new Steingraeber 192. THIS is going to be a fantastic piano! I am posting a picture for you to have a look. It is remarkable, and has the same action as the Steingraeber 212 – very quick and decisive and an immense amount of power for the size… think Steingraeber 170 on Steroids. All of you going on the PW European tour might be able to try it as well (if you beg and plead with Udo smile)I also played (for several hours) three Steingraeber Concert Grands and selected one to replace the one we just sold to composer Gordon Getty. The new one I selected is a fabulous instrument with majestic power and a depth of tone like the Grand Canyon. I am really excited about this instrument, BUT I am doing cartwheels about another piano I bought! During my “testing time”, two factory workers rolled in a 232 (7’6″) that had just come from being used for a recording. I sat down to try it and COULD NOT pull myself away from that piano for nearly one hour. IT IS FABULOUS. After begging, pleading, and SEVERAL glasses of Schnapps, I got Udo Steingraeber to agree to sell it to me. Anyone who wants to hear one of the finest pianos I have EVER played in my many years should either go on the PW Tour and ask Udo to play Russell’s D-232 or you can beat a path to Berkeley when it arrives.

Now, on to the Black Forest area tomorrow morning for a visit to Sauter Pianos. Wow, what a great trip but my Mastercard is screaming!

and now if I wasnt jealous enough – Post from Sauter from www.PianoWorld.com

As if my visit to Bayreuth, and the Steingraeber factory weren’t enough to cause serious damage to my credit card, my visit to Ulrich Sauter, and the Sauter factory, resulted in me being waken in the middle of the night by my credit card shreaking in agony!First, you should know that the drive from Bayreuth to Tuttlingen is quite beautiful, and as you leave the city of Stuttgart and head into the Schwarz-Wald (black forest) the scenery becomes everything you imagined as a child reading Hansel and Grethel. The Sauter factory is located in Spaichingen, which is a small town in the larger series of “stadts” of Tuttlingen (best known for the worlds most advanced surgical devices – and coo-coo clocks) and Rotweil (as in the dogs, the Romans, and the oldest community in Europe). It is also the home of the Lake of Constance which has borders on France and Switzerland, and it is where the Danube River begins – so you get the influence of German baking, French sauces and Swiss presentation. My hotel was at the wood bridge over the mouth of the Danube (you should be jealous about now). I spent my first evening, after my drive, gorging on Venison in a lingonberry sauce served with Spaetzel (sort of noodles) and Spargel, which is white asparagus that is in season. Of course, we had to have something to wash all of that down, so Uli ordered a wonderful local white wine that went perfectly with our meal. Ah, life is good. Of course, dinner was followed by more schnapps.

The next morning, a lite mist was over the valley when Uli picked me up from the hotel and we headed to the factory a few minutes up the road. My goal was to just take pictures of two pianos I already have on order for customers so that I could show them the progress and to try to get out of town without tripling my debt. Yeah, right, sure.

While going from the office area to the main factory, there was a piano sitting in the factory concert area that stopped me dead in my tracks. True, it was the look of the piano that set my heart pacing, but when I sat down to it, I was left breathless by the depth and quality of sound. While I am lucky to represent many fine piano makers, and several are of comparable quality standard, I can’t think of any that equals Sauter in its ability to make uprights that equal the musicality of most grands. Add to that the stunning quality of the furniture and you have an unbeatable combination.

This piano is called a “PURE”, and it’s cabinet was designed by Peter Maly, the “guru” of contemporary furniture design. It has a polished ebony background and the keyframe/keybed/fallboard is in polished Zambrano. Now, I had never seen or heard of Zembrano before, but Uli indicated it is in the Rosewood family. But really, saying it is like Rosewood is like saying wine is like grape juice. I am posting pictures on our FACEBOOK PAGE : LINK HERE – Scroll down to the end of the FB post for the pics.

Well, I already have a great selection of Sauter uprights in my shop, with a few on order, so I began to plot what I could possibly do to get this one. I continued on my factory tour, taking pictures of my customer’s pianos, and plotting my next move on the Zambrano upright. Luckily, later that day, I was able to catch Uli in a well planned trap.

You see, over the years I have visited the area quite a bit. And Uli knows that I won’t leave Tuttlingen without a visit to this one farmer who makes a combination apple/pear schnapps that you can buy. Oh Wait, YOU can’t buy it but I did :P. So, after lunch that is exactly where we headed. To my surprise, the farmer now has a sort of tasting room, and has added several other versions of his ware, including an “herb schnapps” which has a sort of rosemary/thyme flavor, a sort of anise schnapps, and several others – whose names I can’t remember for reasons better left untold (aka too much tasting).

So, it was in this tasting room that I decided to make my move with Ulrich, and I convinced him to let me buy this piano now, with the agreement that if I haven’t sold it by NAMM, I will let him use it for the display in January. Heheh, I guess you could say yet another German piano maker has fallen into my schnapps trap.

Together with the pianos I bought at Steingraeber, we are going to have a fantastic collection going into summer and fall. But, all that tough negotiating (read schnapps drinking) made me feel I deserved a bit of a vacation, so I headed to Zurich (one hour from Tuttlingen) and got on a plane for Barcelona – and on the beach I sit, writing this and drinking – I’ll bet you’re thinking Schnapps – no way, Sangria!

Unfortunately, all of this ends on Monday when I have to fly back home to San Francisco to open the store on Tuesday, and rejoin Weight Watchers Tuesday night. I hope all the PW members going on the European factory tour have as much fun as I have had. And take it from me, if you fall in love with a piano on your journey and want to find a way to bring it home with you, grab the factory owner and a bottle of Schnapps and see where things go!

So naturally I was very jealous!!!! I asked him if I could relate his story and he happily agreed.  I hope you enjoyed his post as much as I did.

I have returned

Thursday, May 12th, 2011

As many of you know, PianoSD closed last year and I have been working at finding the right fit for me and my family in the piano industry.

Bob Auletta of The Piano Outlet (www.thepianooutletco.com)  requested that I come to a small town called Nipomo, Ca. and take a look at the area.  When I visited the area I was so impressed by the people and culture of the town that I knew immediately that this was IT.  We have worked very hard to get the store ready and open and are getting ready to celebrate the Grand Opening of The Piano Outlet in Nipomo, Ca.  Bob is quite excited to be here and so am I.

Bob has been an icon in the music industry for many years and I am quite excited to be an employee of his.  He has left me the opportunity to build this business in any way that fits the community and would promote music and music education in the Central Valley Coast of California.  I am sure it is going to be a success.

As PianoSD begins a change from a retail site to a referral site I am hoping that you will be patient and go to www.PianoSD.com from time to time and see the changes that are being made.

Thanks as always for visiting us and please feel free to visit The Piano Outlet at 485 N. Frontage Rd.  Nipomo, Ca.  93444 or call us at 805-929-8901 for any special requests that you may have.

Ric Overton

Ric@PianoSD.com

More

Thursday, February 24th, 2011

There have been about 6 or 8 major changes since the very earliest days after the invention of the piano.  I have located a picture that you may be interested in.

This is rumored to be one of the very first pianos.  Between the years of about 1790 and leading up to the the years around 1870 the changes that were bought about were changes that would last til today.

  1. The original piano only had 5 (five) octaves.  These were eventually stretched out to 71/2 octaves in the early 1800’s.  There are some manufacturers that have experimented with longer octave ranges like Bosendorfer (for example) and a couple of others. However, these pianos are not in common manufacturing lines.
  2. We integrated the use of an iron plate to help with the stability of the piano and assisting in making it last much longer than the older ones may have been capable of.  The one piece casting is very heavy with some weighing up to several hundred pounds.  Originally the piano either did not have a plate or a wooden plate.  I am sure that when this was originally done the enthusiasts of that day thought this was a horrible idea and that the piano had been ruined.
  3. The hammers which had been made of leather gave a very tinky sound because of the hardness of the leathers.  Early in the 1800’s it was discovered that you could use hammers made of felt.  The felt hammers would increase the tone of the piano (notice that I said “increase the tone” and not “increase the volume”) and this gave the piano a much richer tone than the piano that Cristofori had brought to us earlier.

Over the next few days I will be telling you more about the history of the piano and fill you in on the other changes that the piano was about to undertake.

Ric

posted by Ric Overton of www.PianoSD.com via www.MaxMorganDesign.com

More about the history of pianos

Monday, February 21st, 2011

Cristofori had made a HUGE impact on keyboard instruments by inventing and producing the first of what would become known as the piano.  Although the initial pianos  were an incredible feat, there was an incredible difference between what was originally created and what we now know.

The first actions were different in many ways.  First, the sound was not as strong as what we presently enjoy.  There were a number of reasons why.  One of the reasons was that the soundboard of the piano was made differently and the ability of the artist to project at the volumes that are now possible was not possible with the soundboard of that era.

Strings were another issue.  At the time, the string makers had not yet made it possible to produce strings with the diameter that are produced presently.  They did not have the technology to understand that the bass strings could be wrapped with copper and the inside diameter of the strings could be increased in order to make a larger sound.

The biggest differences would come in the action of the piano.  The action of that era was not only uneven but, the hammers were not controllable.  The hammers could not strike the strings with the same velocity and with the same power that we have now.  The action was somewhat more fragile and strike points were somewhat different and all of this added to the resistance that the artist felt when he/she began to play.

It has been said that “they just aren’t made like they used to be” and that is very true.  When I am asked my opinion I often respond with “you are correct.  Its better”.

I hope to be able to explain this in more detail in the next few blogs.

Ric Overton

posted by Ric Overton of www.PianoSD.com via www.MaxMorganDesign.com

In the beginning

Sunday, February 20th, 2011

The idea of having strings attached to another piece of wood that made sound had been around for years but the idea of having a keyboard was not truly developed until around the 1400’s.  For the next 300 years (give or take a year or two), the harpsichord was the instrument that set the “bench mark” for keyboard instruments.

Sure, there were many other instruments that came and went, a small portable harpsichord, and variations on the harpsichord did come on the scene from time to time and their popularity came and went, but the harpsichord was the instrument that was to be the traditional instrument for many composers and artists to use not only for “pop” music but also for worship in local churches and houses of worship.

The idea of the harpsichord was that the hammers moved forward to the strings, the strings were then plucked as the hammer returned to its resting point.  This was the standard sound that was heard but there were a few problems with this that necessitated a different technique in producing sound.  One of the biggest problems was that the sound could not be made softer or louder.   This made it  very difficult to write music that allowed feeling.

Sometime in the early 1700’s, many people believe it was between 1707 to 1712 that a man by the name of Bartolommeo Cristofori came up with the idea that the hammer could move  from its resting place, come forward and strike the string, and return to its  resting place in one very fluid movement.

this action by renner actions

There were many more differences but, this was somewhat similar to the action that Christofori made in the early 1700’s.  He referred to his new invention as “gravicembalo col piano e forte” which meant ” harpsichord with loud and soft”

This was the beginning of the piano as we know it today.  Lots has changed since that day and many things have stayed the same.

I will continue this series to help inform you of the origins of my passion.

Ric Overton

Ric@PianoSD.com

posted by Ric Overton of www.PianoSD.com via www.MaxMorganDesign.com

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