Archive for the ‘Uncategorized’ Category

THE ALL NEW PIANOSD.COM

Wednesday, January 25th, 2012

With our ever increasing need for music education and enlightenment I realized several months ago that I had a gem in the PianoSD.com website.   I have the understanding and knowledge to make a difference .  I sat down and spoke with Max Morgan our Web Designer about the possibilities and what I wanted to create.  It has taken shape and we finally have a product started that I believe will increase the public’s awareness of the need for making  music in their homes, schools, churches, etc.

I have long been an advocate of the teaching community.  In our store in San Diego I spent most of my time working with students and teachers on ways to help make the community at large have a greater appreciation of music makers.  Whether its on a washtub or a concert grand, music does change people’s daily outlook.

That’s why PianoSD.com (short for Piano Social Directory) was created.  When you go to the website you will be asked to put in your information and “join” Piano Social Directory.  If you are a piano teacher or piano tuner, if you are a manufacturer you have the option of simply adding in your information into our data base so anyone who is looking for your service can easily find you.

If you are simply a fan or enthusiast you can also sign up to receive emails about events, products or happenings in and around your area.  Sign up but please do NOT choose one of the blocks if you don’t fit into that category.  We will capture your name and information and as we progress we will be keeping you up to date on the latest.

Finally we will be adding a couple of new spots for piano artists to join to promote your talents and get creative suggestions from us on how to increase your image and public awareness.

I am very excited about what’s going on and hope that you will feel free to join our site and participate in the many changes that are taking place at the all new Piano Social Directory at http://PianoSD.com

 

Ric Overton

NAMM 2012 Highlights

Sunday, January 22nd, 2012

NAMM 2012 is almost over.

I spent two days at NAMM in Anaheim.  It is the most exciting and exhilarating trade show that I have ever been a part of.  So here are some of my thoughts.

First Wednesday night Max from http://MaxMorganDesigns.com started the completion of www.pianosd.com. I spoke with him last at 1:00 a.m. Wednesday night.  Then 6:00 a.m. he was still working. BUT its almost completed.  If you go to www.pianosd.com you will see the changes, I am VERY EXCITED.

I saw so many friends and people that I have known for many years and made several new friends.  It was very nice to renew old acquaintances.  The piano selection was down this year for various reasons HOWEVER, Brodmann’s latest AS 275 was incredible.  I mean, yes we do business with them but it was unbelievable how nice the piano sounded and the way it felt.

Brodmann AS 275

Brodmann AS 275

I had the opportunity to play on a Sauter Concert Grand too.  As many of you know Sauter is one of my favorites and I was not disappointed  at all. The sound was absolutely incredible and the look and feel of the piano as well as the incredible.

Sauter 275 Concert Grand

Sauter 275 concert Grand

There were some amazing piano teaching programs along with education materials, etc.  There was every music instrument that you could think of  and then some.  As we begin to make our changes and improvements we will be doing some new things.  I cant wait to show you some new things.

I attended the Yamaha Breakfast on Friday morning and was completely blown away by the new product lines they have and some very cool programs for the dealers, sellers and customers at http://yamaha.com

I will give you more as we move around some.

Ric

What’s Happening with www.PianoSD.com?

Monday, January 16th, 2012

Over the past year most of you know that we have been undergoing some major changes.  Those changes are starting to become evident as you log into the website you will see whats happening.

We are embarking on a new program that we are hoping will help bring music appreciation and music education to the forefront.  Every day we have been making changes behind the scene and Max (some of you may remember from the Live@PianoSD broadcasts) has been very patient with me while I have changed my mind several times a day for the past few months.

We finally arrived with the finished product and we will be rolling out those changes in the next few weeks.  Thank you very much for your patience and hopefully as we grow you will be happy with the final results.  The new changes are very VERY exciting and help expose my passion for music as we go along.

Thank you very much for your patience and stay tuned to a VERY exciting future in the Piano business.

Ric Overton

 

TART Restaurant – Los Angeles

Friday, November 25th, 2011

I try not to make a habit of reviewing restaurants and places of business but, this is one I couldn’t resist.

Holidays can be difficult when you are away from your family. Today a restaurant in West Hollywood made it all much easier. As I told you in my blog this morning we were going to Tart in West Hollywood because we like it and have eaten there a couple of times. We really expect something different on holidays because we are both from the South and used to getting treated special during holiday celebrations, etc.

TART RESTAURANT

I was pleasantly surprised to see that the restaurant was full but not crowded when we arrived. We were taken directly to our table at 12:45 (15 minutes before our reservation). Our waitress immediately greeted us and after a little small talk ( you know the proper amount of small talk ) she brought our drinks and absolutely perfect coffee and our salads.

 

Tart RestaurantTart Restaurant

After our salads the wait staff came and cleared our table and brought the perfect, moist turkey. It was topped with gravy that was obviously straight from the turkey pan (not like the bottled or canned type) stuffing that was prepared from the turkey juices because it was “just right” I even ordered a side dish of the stuffing, incredible mashed potatoes and the best yams I have had in ages. In addition, we also had green beans with a cranberry chutney and grilled brussel sprouts along with a buttermilk biscuit that I swear my mother made. Lastly, the best bread pudding I have had in years which is generally not my favorite but it was the right blend and the best serving size.

 

The best part was the staff. They were attentive, polite and the perfect blend of service. They didn’t sit down at our table and attempt to get to know us but had the right amount of hospitality.

If you are ever in the Los Angeles area this place is a must. It is located on Fairfax across from the Farmers Market/The Grove. Call ahead for an appointment. We have never stayed at the Farmers Daughter Hotel which is part of the restaurant. If the service and food of Tart is any indication whatsoever of the service we will most likely stay there at some point in the future.

To the staff and Chef at Tart – Thank you

Ric Overton

http://RicOverton.me

http://RicOverton.biz

http://PianoSD.com

 

Beverly Aiken, Central Coast Music Teachers Association, Piano Outlet of Nipomo, Ca. and Ric Overt

Sunday, October 16th, 2011

As many of you are already aware,  I manage a small store for the Piano Outlet of Oxnard, Ca.  www.thepianooutletco.com in Nipomo, Ca.  I have long been an advocate of music and piano teachers since I was with Baldwin Piano Mfg.  I believe that they are the key to the success of the piano/music business because the teachers are teaching people to play what we have to sell so, it doesn’t take a rocket scientist to understand the correlations.

Ric Overton

Yesterday, the Central Coast Music Teachers Association held a conference in the store here in Nipomo and I was delighted to host them.  I sat while one of the leading technicians of our area gave an hour lecture on the history of the piano “A comparison of pianos through the ages”.  It was very intriguing.  Those of you who follow my blog on a regular basis know that I write a lot about the history of pianos and their origin.  It was a very captivating hour.  She brought out points that I had not thought of and refreshed my memory on other points that I had simply forgotten.

It was a pleasure to listen to a knowledgeable person bring such an enlighting path of our history.  It brings me to a new point that I will be discussing in some upcoming blogs and articles about our business.

This bring me to the point that I wanted to discuss today.  Max Morgan of www.MaxMorganDesign.com has been working with me for several years now helping to (in most cases) read my mind about the direction that I have been wanting to take the PianoSD website. Through a series of trial and error and much discussion (MUCH DISCUSSION) I have finally decided to launch a new website in the next few days www.ricoverton.com where I will be able to discuss business strategies as well as personal muse in two new blogs.

In the new site I will have the opportunity to challenge the current thought process of the piano industry and the current mood of the industry and keep it more personal than non-commital than I would attempt to do on PianoSD.  PianoSD is becoming a “go to” resource on everything piano related and RicOverton.com will be my personal opinions about business and then some personal things I would like to be able to discuss.

I look forward to the challenge of keeping up with three blogs as well as what I am

Piano Outlet, Nipomo, Ca

Piano Outlet, Nipomo, Ca

doing with the companies in the U.K. that I am currently writing for as well as the one I am developing for France and Austria.  Additionally, I write for two other companies as well as a couple of artists too.  So, I will be busy. 

See you soon.

Ric Overton

for www.PianoSD.com via www.MaxMorganDesign.com

Gottfried Silbermann and Christophori Pianos

Thursday, October 13th, 2011

Gottfried Silbermann was born on January 14, 1683 and passed away on August 4th at the age of 70 in 1753. He was born in Kleinbobritzsch to a local carpenter by the name of Michael Silbermann.  A lot of what he did as a young man is unclear but, one thing we do know is that he obviously moved toStrausburg,Germany at 19 years old in 1702. 

Silbermann Museum

Until the year 1732, Silbermann was most known and had gained great wealth as an organ builder inSaxony.  He was noted as being very difficult to work with and quite an unusual style of management as “non-negotiable”.  When he wanted something done it was to be done quickly and without question even when dealing with vey influential people and the likes of Johann Sebastian Bach.  Consequently he built approximately 50 organs in his lifetime and 29 are still in existence today. 

It is widely believed that Silbermann built his first piano in 1732 about 1 year after Christophori had passes away.  Somewhere around 1725 an article appeared about a newly invented piano which caught Gottfrieds attention.  As a harpsichord builder, Silbermann had quite a lot of experience of proper sizing of the keys themselves.

Silbermann Piano 1746

Silbermann Piano 1746

On a sour note of his career, Silbermann had very closely copied Christophori’s inventions but could never correctly copy the back check.  The back check helps to give the player a correct response but, he overcompensated by having almost perfect designs in the cases, strings, soundboard, strings and keyboard spacing. 

Silbermann’s pianos had gained a lot of attention so much so that sometime in the 1740s, King Fredric the Great of Prussia purchased 15, according to some reports.  Two of his pianos can still be seenFrederick’s palaces inPotsdam.   Although they are quite simple designs they still are prominent examples of his work

What made Gottfrieds pianos so important were his inventions and additions to the original design.  He created a series of dampers that would allow the dampers to lift off the strings when the notes were played and a device that would hold the dampers off the strings for a sustained effect on the sound.  Today we know this as a damper pedal which he eventually added but in its original design there was a hand stop kind of device.

Johann Sebastian Bach was asked to play one of Silberman’s creations and it is said that Bach criticized the piano, saying that the tone was weak and the keys were too hard to play.  Although this made Gottfried extremely angry he went back to work and corrected the criticism.  Bach was so impressed that he later participated in the sale of one of his instruments.

Silbermann’s loved teaching others the craft of piano building.  Among his students was a young man by the name of Johann Andreas Stein who was a master piano builder in his own rite.  Stein perfected the “Viennese action” which was praised by a very well known group known as Haydn, Mozart and Beethoven. 

Silbermann Piano 1749

Silbermann Piano 1749

There was a group that became known as his “twelve apostles”.  Among this group was Johannes Zumpe who made the square grand design famous and Americus Bakers how invented the “English Action”.

Silbermann’s who, as I stated earlier, was known as difficult at times demanded quality.  Although some of the builders that came directly from him compromised his original ideas and created some very difficult actions to work with. Fortunately because of Mr. Backers as well as some others the original action continued to exist and finally Henri Herz and Sebastian Erard went on to make those original actions better and are the original designs are pretty much still widely used today.

Although Cristofori was the original builder of the piano Silbermann often got the credit for it.  His fame and influence was incredible as was his reputation for his demanding perfection.  What a great man in our history.

Its a pleasure to announce that I have been asked to be a guest blogger for Http:vintageandrare.com in Europe.  I have enjoyed sharing my ideas and thoughts.  If you get a chance stop by and take a look.  I hope you enjoy.

Visit http://PianoSD.com when you have a chance.

Ric Overton

http://PianoSD.com

Have you ever seen Collard and Collard

Sunday, October 2nd, 2011

Years ago I saw my first one and was totally taken by it.  I’m talking about Collard and Collard pianos.  Being from the south I had to smile at the name because in North Carolina collards are greens that are cooked with fat back and extremely delicious.  However, after some research I learned that this was not only a fantastic piano but a wonderful design as well.

 Collard and Collard Pianoforte 1835

F. W. Collard was born sometime around the year 1772.  At age fourteen in 1786 he traveled to London and began work for a music publisher and pianoforte builder named Longman, Lukey and Broderip (LL&B)

 

LL&B was a publisher who published the music for a local celebrity known as Muzio Clementi.  Clementi had risen to great fame and fortune at that time and was growing in popularity and was a large part of their business.  Unfortunately, their success was to be short lived and by the year 1799 they had run into some financial problems and offered their company for sale. 

 

By the latter part of 1800 a brand new company emerged that was primarily owned by none other than Muzio Clementi.  Along with a  very stable F.W. Collard as well as three other investors.  The new piano was to be named Muzio Clementi and Company.

 

It’s not clear exactly what year the minor investors left the company but in 1817 F.W.’s brother W.F. Collard became a partner.  Business continued to grow and in 1831 the relationship with Clementi came to an end because Clementi’s contract had expired.  In 1832 the famous Collard and Collard piano was born as a joint venture between F.W. and his brother W.F. Collard began.

 

Collard and Collard Grand 1851

Collard and Collard Grand 1851

In 1842 after 10 very successful years William Fredrick Collard retired and Frederick William (yes, the names are the same except in reverse) became the sole owner of the company.  At this time in need of help F.W. made his nephews Charles Lukey Collard and F.W. Collard Jr. a partner in the firm.

 

The years ahead were met with some changes.  One of the major changes that took place was the new partnership decided to get out of the publishing business entirely and would have liked to get out of the musical instrument business making brass and stringed instruments but because of some contractural agreements were unable to.  It seems that years before they had signed an agreement to build instruments for India and had to continue until India was transferred to the Queen and they were released from their contract and could now give their entire efforts over to building pianos.

 

The next few years brought many triumphs and tragedies.  Among the many success were numerous awards because of F.W.’s brilliance as an engineer and piano designer. They were also ahead of the curve in building extremely popular models that were very lucrative products for the company. 

 

In 1807 the Tottenham Court Road factory was completely destroyed in a devastating fire and later in 1851 the Oval Road factory in Camden Town burned to the ground.  Then in 1860 F.W. passed away in the same house on Cheapside where he had originally lived when he first got to London and had lived in the same place since he was 14.  In 1866 W.F. passed away.  By this time Collard and Collard had become one of the most celebrated companies in Europe.  It’s destiny as a family owned company came to and end in 1929 when ChappellPianos of London purchased them.  Collard and Collard remained in production until 1960.

Collard and Collard Upright

Collard and Collard Upright

 

My hope for each of you is that you have the opportunity to see and hear one of these pianos.  They are a nice playing piano but an incredible looking piano as well.

 

Ric Overton

http://PianoSD.com via http://MaxMorganDesign.com

 

Completely off the subject and nothing to do with Pianos

Tuesday, September 27th, 2011

 

This is my brother and sis-in-law in N.C. after effects of hurrican Irene that came through N.C. last month.

Aftermath of Hurrican Irene in N.C.

Ibach Pianos another Master of the Piano Industry

Monday, September 26th, 2011

Johannes Adolf Ibach (1766 – 1848) After completion of his education at the Beyenburg Monastery in Southern Germany he had a burning desire to learn something about his country.  During this period of discovery he learned about piano and organ manufacturing

Johann Adolph Ibach

Johann Adolph Ibach

from some of the best craftsmen in the country.  After returning back to his home in Beyenburg he received the contract to refurbish one of the largest organs in the city of Beyenburg.  He had realized by this point that the piano had enormous potential.  In 1794 he set up a manufacturing workshop primarily building for local artists and musicians that had been also captured by the lure of this new instrument.

 

There were normal set backs in business including the Napoleonic Wars.  In 1825 Johannes failing health forced him to hand over the day to day operations to his eldest son, Carl Rudolf Ibach who was only 21. Carl Rudolph began to immediately implement the latest in manufacturing technology  and also marketing his new designs.  It wasn’t until almost 13 years later in 1838 that Ibach had introduced what is often regarded as the first upright that was available commercially in the world and later that year introduced the first cast iron plates.  Carl’s reputation and the strength of the company had soon spread across all of Europe. Sadly, Carls Rudolf, like his father died too young.

 

Ibach Upright

Ibach Upright

Ibach was then taken over by Carl’s son, PA Rudolph Ibach at the young age of 20.  Rudolph young vision made him arguably responsible for establishing the company to make it what it was to become.  Truly one of the greatest pianos ever built.  He was extremely charismatic, intelligent and had the foresight to make him a very bright and strong business man.  He kept the company of some of the most powerful and wealthy along with true royalty and some extremely well recognized composers and performers of the day.  People like Liszt, Wagner and Brahms were regular guests.  Rudolph sent his son to study the manufacturing methods that were then taking place in other piano manufacturers around the world and set up competitions for designs of pianos with the winner getting impressive cash prizes.  He was one of the first to introduce the idea of a dealer network and it was also Rudolph that changed the name to Rudolf Ibach Sohn and the shortened version Rud. Ibach Sohn.

 

Rudolf Ibach and his son J. Rudolf Ibach managed their way the wars and destruction of

Ibach Grand

Ibach Grand

their country and was able to stabilize the company again in 1952 when they started making pianos again. 

 

The present status of the company is unknown.  One thing I will say.  This has to be one of the most impressive of all pianos and quite a status symbol among pianist and enthusiasts around the world.

I hope you find this series of Masters interesting.  I am enjoying writing about some of the most famous and important name brands in the piano industry.

Posted by Ric Overton of http://PianoSD.com via http://MaxMorganDesign.com

 

And then theres John Broadwood

Tuesday, September 20th, 2011

John Broadwood and Sons Piano

Manufacturers

John Broadwood was born in 1732.  By the age of 29 he had started working as an apprentice to Burkat Shudi who owned a harpsichord workshop in Londonfor many years.  Mr. Shudi had quite a following with royalty from the Prince of Wales to Fredrick the Great of Prussia. By the time he had been at the workshop with Mr. Shudi about 8 years John Broadwood married Shudi’s daughter Barbara in 1769.  Two years later he started running the entire business and by 1773 had taken full control of the business because Mr. Shudi had passed away.  They had begun to manufacture square grands and grand pianofortes and business was doing so well they had to expand their present locations on Great Pulteney Streetand Bridle Lane, Soho. In 1796 at the age of  64 Broadwood accepted a commissioned work for Manuel de Godoy the Queen of Spain, with a case designed by Thomas Sheraton with Wedgwood medallions. It is now in the Museum of Fine Arts in Boston, USA.

John Broadwood Piano

John Broadwood Grand Piano

At about the same as the commissioned work was being finished John Broadwood named his son James Shudi a partner and his other son Thomas followed in 1808 and created the firm John Broadwood and Sons.

Thomas Broadwood met Beethoven in August of 1817 in Vienna, and later said, ‘he was kind enough to play to me but he was so deaf and unwell that I am sorry to say I had no opportunity of marking any thing like an anecdote’. Thomas sent Beethoven a gift of a 6 octave grand pianoforte made from Spanish mahogany. Beethoven was so delighted that he wrote to Thomas in 1818 that ‘I shall immediately send you the fruits of the first moments of inspiration I spend at it’. The piano later belonged to Franz Liszt and is now in the National Museum of History in Budapest.  So many technological advancements in piano building were made that it became necessary to expand and Henry Fowler Broadwood, the eldest son of James Shudi Broadwood and the grandson of John, joined the partnership in 1836.  He helped advance the company so much that by the 1840s around 2500 pianos a year were being made at the factory in Horseferry Road, Westminster. Broadwood and Sons had become one of the largest employers in London.

In 1848 Chopin made a Royal visit where he was provided Broadwood pianos. The grand piano no.17047 he used for concerts is presently owned by The Royal Academy of Music and is on loan to the Cobbe Collection Trust in Hatchland Park,  East Clandon, Surrey and some other Broadwood pianos are at various collections throughout Europe.

John Broadwood Grand Piano

John Broadwood Grand Piano

The Horseferry Road factory burned to the ground in 1856. The Broadwoods were so determined to continue that much of the money needed to rebuild the factory came out of Henry Fowler Broadwood’s own pocket.

The company won many awards throughout the 19th century.  Many exhibitions including the Paris Exhibition of 1867 and the International Inventions Exhibition inLondon in 1885.

In 1893 Henry Fowler Broadwood passed away and the company fell into a great  financial crisis which led to the partnership being dissolved in 1901 and a limited company was put in its place.  Some of the family members remained as directors and employees and even Henry Fowler’s grandson, Captain Evelyn Broadwood was chairman from 1931 until his death in 1975.

In 1902 The Horseferry Roadfactory was moved to the Old Ford Works, Stour Road, Hackney. The company then began to manufacture player pianos (Pianolas) and gramophones in the ‘20s.

During the First World War the company voluntarily made aircraft bodies and parts for De Havilland and other things for the cause such as ammunition boxes. In a show of solidarity and appreciation King George V and Queen Mary visited The Old Ford factory in 1926.

 

John Broadwood Upright

John Broadwood Upright Piano

 

 

When Captain Broadwood died in 1975, the Broadwood Trust sent the archives of the business and a large number of papers relating to members of the Broadwood family, and their long and illustrious history to Surrey History Centre inWoking.

The last recorded Broadwood serial number is from 2003.  It is unclear whether they still produce pianos today.

Ric Overton

Ric Overton of  Https://PianoSD.com via https://MaxMorganDesign.com

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